Rolf Aderhold 2009-01-04
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I have to admit that I do not understand the controversy about the book. In the beginning, Blasphemy is about power politics and how fundamentalist Christians, here embodied in a sleazy televangelist, can influence politics in D.C. Only then does the narrative shift to a point where the various characters stand for a certain necessity to believe, either in a god or in science. The fundamentalist pastor and the televangelist are unable to accept science, which only reflects the attitude of some Americans who are as unable to accept scientific findings such as the theory of Evolution.
Thus, the so-called anti-Christian message of the book is only a critical perspective on Christian fundamentalism and the disconcerting attitude of these fundamentalists who seem to be sure to know what is right (i.e. the will of God) and what is wrong (i.e. Scientific theories about the origin of the universe). Do not forget that even the Navajo chant cited in the middle of the book ponders the questions of existence. It also becomes clear that scientists who believe to know what is right (i.e. the theory of the Big Bang) and what is wrong (i.e. believe in God) must be regarded as critically. Many scientist prefer the idea that it is very hard to be certain of anything, as Kate explains in the novel. Kate admits that scientists have no clue why the Big Bang happened or how it came about and she explains about science's weird notion of time that forbids certitude. The overly clever Hazelius is as bad as the pastor or the televangelist.
As a reader from the north of Europe, I have to say that the anti-Christian debate does not concern me much. Religious fundamentalism is more at home in the US, where a war-mongering Born-Again-Christian such as George W. Bush could be re-elected due to his "Christian" values. This has irritated much of Europe. The theory of Evolution is taught at our schools, nor does Creationism play a role here. The idea that we cannot not know everything seems to be more acceptable here, so that the need for a god is less urgent. Therefore, the discussion about the book in the US is indeed a reflection of the attitudes of the people depicted therein. Both scientist and fundamentalists can find fault at the message of the book, and that is fine by me.
However, I must not forget to discuss the book itself. There are strange plot elements, such as the fact that the supercollider is operated by a boy's club of not more than a dozen people or that an alleged anthropologist is sent out to pacify the natives. Incidentally, the former anthropologist is not only an ex-FBI agent but also the ex-lover of the project's deputy director - a bit much of a coincidence. The scientists even brawl about the operation of the supercollider like children would about the use of s beloved toy. Sometimes, the whole effort seems to be a bit forced.
However, Preston's narrative usually flows easily and entertainingly, despite his use of one or two clichees to many. The book is a good read and has made many people think. For these reasons, Douglas Preston has awarded himself four stars and I agree. It is certainly not a great book, beyond par even compared to many Preston/Child novels, but better than average.