Wolfgang Aurbach 2007-07-29

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Its present lackluster era notwithstanding, America still commands the world's attention and arouses curiosity. No matter how much we read about the country, how frequently we visit there, even live there for years, we have the nagging feeling that we do not understand its true essence. And that is not for want of pertinent information. The mass of available statistical data is beyond imagination. So is the daily, weekly and monthly output by journalists. There is no lack of in-depth analyses by eminent economists, sociologists and political scientists. And yet, it is hard to distill from all of the above an essence that speaks to me, the common everyday man. I am a native of Germany who spent most of his life in Brazil. I have always had a deep interest in American literature and have done my best to get a good glimpse of it, but even that is not an easy job. Whereas the name of John Steinbeck is fully familiar, I had always associated him with his California novels. Only recently did I take an opportunity to look at his postwar production and felt immediately attracted by the title 'America and Americans'. I certainly was not disappointed. The book offers in rich measure what is so hard to come by, the human aspect, offered in understandable, indeed beautiful language, by an unusually lucid observer. Even though the country and its society have changed dramatically over the forty years since the date it was published, the book looses nothing of its informative value. It provides a picture of a point in time, and tells of the values of that time. That is an excellent backdrop to contemplate the present moment and reflect on future options.

R. DelParto 2006-01-09

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AMERICA AND AMERICANS AND SELECTED NONFICTION is a compilation of articles that John Steinbeck wrote during his journalism days from 1936-1966 and one of his last novels, AMERICA AND AMERICANS. With Susan Shillinglaw and Jackson J. Benson's helpful introductions for each short essay, readers can see how his real life observations and experiences resonate within his fictional works.

Steinbeck's writings are distinct and unique as a result of the deep connection he had with the people he encountered and the respective landscape in which they lived. The most compelling aspect about these articles and essays are the periods in which they were written -- from Great Depression to the War in Vietnam. These previously published nonfiction articles possess a part of Steinbeck's personal life that was poignant at times: "Indeed, the "Steinbeck" tone and "unmistakably American" approach could be the stamp on all his writing, whether about growing up in a California town or about French fishing habits in Paris -- it was American in spirit" (xv).

AMERICA AND AMERICANS AND SELECTED NONFICTION is a treasure to own. This is a great example of John Steinbeck's versatile style of writing that was historical and political as well as ironic. And with this in mind, Steinbeck aficionados or curious readers will find this book insightful.

Michael Herring 2005-01-14

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This is only essential for hardcore Steinbeck fans, but his insight and singular turns of phrase pervade this prolific collection. Of particular note is his homage to his three best teachers, less than two pages long, called "...like captured fireflies." America and Americans is dated in parts, but his takes on corporations and America's obsession with children are prescient, and his indefatigable optimism essential. A different resonance than the novels, but of the same calibur.

A. Coyne 2004-09-22

2 of 2 people found the following review helpful:

Although overall this book is clearly inferior to some of Steinbeck's other works of nonfiction, it has its high points and is worthwhile for big fans. If you are not already familiar with Steinbeck's nonfiction, I suggest you read A Russian Journal, Travels with Charley in Search of America and Once There Was A War before buying this book.

Among the best pieces in this book are "I Am A Revolutionary," "The Soul and Guts of France" and "Terrorism." Aside from these three pieces - and a paragraph or two scattered here and there among some of the others - this book consists of fairly slow, relatively uninteresting and disappointingly uninsightful text. Still, it's Steinbeck, and if you've a big fan, then reading even his mediocre work is more fun than most things you could be doing with your time. Otherwise though, if you have a mere passing interest in Steinbeck or have not read the other works mentioned above, then either read his other material first or just forget about this book altogether.

The Sanity Inspector 2003-07-14

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Steinbeck, as he and the annotator in this book repeatedly declare, let his interests range freely in his choice of nonfiction subjects. The whimsical pieces darn near steal the show. There's an affectionate account of his old Model T, and how its radiator happened one day to spew hot oatmeal all over his mother while riding in downtown L.A. There's a self-deprecating sports article, in which he proposes the sport of oak tree racing. There are some quite funny and surprisingly touching dog stories. The man could make *anything* a joy to read!

But the meat of the "selected nonfiction" section is the 1930s reportage of the California migrants, which would later become the basis of his Depression novels. It is a searing experience even seventy years later, being made to watch formerly solid American citizens being ground into the mire by poverty, malnutrition, and hopelessness.

Even his much-denounced Vietnam coverage has unmistakably Steinbeckian passages of humanity. He goes for a combat patrol in an AC-47, a "Magic Dragon", and frankly confesses his fear. He flashes back to conversations with combat journalists and ordinary soldiers, who were killed very shortly thereafter. He accurately contrasts the omnipresent threat of guerrilla attacks with the more formal setpiece battles of previous wars--and portrays the confusion this arouses in the public back home.

The final bit is the republished _America and Americans_, which is one long cry of "Where are we going, and why are we in this handbasket?" Perfectly understandable for someone of his age and background encountering the Sixties for the first time... But even here his native American optimism refuses to let him despair. He concludes, "We have failed sometimes, taken wrong paths, paused for renewal, filled our bellies and licked our wounds; but we have never slipped back--never."